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ARRI Alexa XT

Digital Cameras

ARRI Alexa Mini LF
ARRI Alexa XT
RED Monstro VV
RED Komodo
Sony FX9
Sony FX6
Sony FX3
Canon C500 Mark II
Canon R5 C

Production Kit: $300/Day

The ARRI XT Production Kit includes:

  • ALEXA XT 4:3 Camera Body S/N: 6606
  • ARRI Top Handle
  • 4 Codex 512GB XR drives
  • Codex XR Single Docking Station – Thunderbolt 2 Based
  • Thunderbolt 2 Cable with Thunderbolt 3 Adapter
  • Custom Manufactured Viewfinder bracket
  • Custom Manufactured Top Cheese Plate
  • Custom Manufactured Top 24v/12v Video/Power Breakout Box
  • Custom Manufactured Top power Distribution Box
  • Custom Manufactured EVF Extension Bracket
  • PL-Mount
  • BP Adapter
  • 15MM Top Bridge Plate
  • AB Gold Mount
  • ARRI EVF
  • Short EVF Cable
  • Long EVF Cable
  • 24v Camer Power Cables
  • Custom Flight Case
  • AC Power Supply w/ Cable

Key Features

Sensor Mode Image Size Image Circle
Open Gate (1.55:1) 28.17 x 18.13 33.5mm
4:3 (1.33:1) 23.76 x 17.82 29.7mm
16:9 (1.78:1) 23.76 x 13.37 27.2mm

Sensor Mode Active Photo Sites Max FPS
16:9
ProRes HD 1920 x 1080 120
ProRes 2K 2868 x 1612 60
ProRes 3.2K 3168 x 1778 30
ARRIRAW 120
4:3
4:3 Full 2880 x 2160 90
4:3 Cropped 2578 x 2160 96
Open Gate
ARRIRAW 3414 x 2198 75

Overview

ARRI ALEXA XT CAMERA FEATURES:

  • Record it all: Open Gate sensor mode. Using the full ARRI ALEXA sensor area, Open Gate mode is great for VFX shows, up-sampling to 4K, image repositioning, resizing, rotating or stabilizing. While some use it as their main recording format, others shoot in 16:9 or 4:3 and only certain scenes in Open Gate mode.
  • True anamorphic with 4:3 sensor mode. Each ARRI ALEXA XT camera is equipped with an Open Gate sensor with the same size and shape as a Super 35mm film frame, which gives filming with anamorphic lenses the most effective use. The 4:3 sensor mode is crucial for delivering a cinematic widescreen look that emulates vintage CinemaScope films, this cinematographic essence has been really appreciated by cinematographers, by image esthetics professionals, and viewers. In ARRI ALEXA XT cameras, the de-squeeze license is included, which is convenient for the viewing of anamorphic images.
  • Powerful and Unique ProRes & DNxHD Options. It is also possible to capture ProRes or DNxHD in-camera as an alternative to ARRI RAW. ARRI ALEXA XT cameras provide two unique ProRes recording features: ProRes 4444 XQ (the highest quality ProRes codec), and ProRes 3.2K: the ideal recording resolution for an up-sample to 4K UHD or for extra room to resize, reframe, rotate or stabilize a 2K or HD image. Additionally, the XR Capture Drives allow ProRes 4444 that can be recorded for a total time of 107 minutes (at 24fps) and can be recorded as fast as 120fps, this offers significantly longer recording times and faster speeds.

Shot On The ARRI Alexa XT

Colorado Camera Rental offers an easy service for Denver and Boulder Colorado filmmakers to access premium video production equipment. Owned and operated by local filmmakers.

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Location

Denver, Colorado